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LIMITLESS (2011)

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Limitlessdvdcover.jpgStarring: Bradley Cooper, Abbie Cornish, Robert DeNiro, Anna Friel. Directed by Neal Burger. Drama/Sci-Fi. Synopsis: A struggling writer who is also unlucky in love tries an unknown drug given to him by his former brother in law and finds that it results in his being ultra focused and able to process all information that he has ever taken in. He puts this to good use initially, but his increasing reliance on the drug, as well as those who don't want him to have it soon pose life threatening problems.

 

Caught this one on the big screen the other day and glad I did. With the exhorbitant cost of the theather experience these days, I'm fairly admannt about really enjoying a flick I'm going to pony up the big bucks for like I did for Limitless.

Eddie Morra (Bradley Cooper Failure To Launch, Midnight Meat Train) is a struggling artist-writer-living in New York City who has just been dumped by his girlfriend. (Abbie Cornish Stop Loss) It sounds like a bummer, and it is, but being the movies, you know there might just be a chance for him to redeem himself, and wouldn't you know it, there is and he does.

As can often happen to most of us (at least on the big screen) when we're scraping rock bottom, a chance pass by on the streets of Manhattan can lead to big things and it does here for Eddie as he bumps into his ex brother in law (Johnny Whitworth) who both gives him some dirt on his ex-wife and, most importantly, gives him a clear pill that he promises will make Eddie feel better.

Eddie is skeptical but he does take the plunge and, if you can believe it, this turns out to be one of those rare times when your ex-brother in law is right. After taking the pill, Eddie is able to focus to an extreme degree as well as instantly organize and recall anything and everything he's ever learned instantly and coherently. Obviously, he is going want some more of this mystery drug, which he finds out from his ex-bro-in-law is named NZT. His first indication that this is a drug made or desired by some unsavory people is when his brother in law is murdered within minutes of seeing Eddie. Fortunately for Eddie, and the plot, he is able to find a healthy stash of NZT and a wad of cash to get things going.

As you might guess, this kind of thing can really help a guy out and Eddie quickly has his book finished and is making money exponentially as  a day trader. As you might guess this makes him kind of an instant celebrity and Eddie enjoys the additional friendship and increased attention from females.

As Eddie becomes a well known phenom in the financial world, he catches the eye of Carl Van Loon (Robert DeNiro Taxi Driver, Men Of Honor) a multi-millionaire businessman with his eye on making billions in a huge corporate merger who wants Eddie to be his ace in the hole.

All isn't completely rosy, as you might guess, as there are some scary people who seem to know about NZT; the guy who seems to be following Eddie literally all over town as well as the Russian loan shark (Andrew Howard) What's worse is Eddie realizing how dangerous it can be to take too much NZT and how low the crashes can be.

This is brought home in one of the more powerful scenes in the movie, where Eddie meets with his ex-wife (Anna Friel Irish Jam) who sets him straight on the realities of NZT and why he should get off of it.

Look, there is little in this flick you haven't seen before, though probably in different variations or incantations than a miracle drug. What makes this work so well is how well the story is put together and, more importantly, we really empathize and root for Eddie, which is a testament to how good of a job Cooper did here because the whole question, in my humble opinion, of whether or not you'll like the flick is if you like the main character, at least as some level. It also helps having an all timer like DeNiro as your major secondary character but, make no mistake, this is Cooper's movie and he does well.

I also thought Burger did a good job with the pacing of the movie, and casting was excellent in the aforementioned minor roles, but I should also mention two well known (their faces anyway) character actors who do well in their short screen time Robert John Burke (Thinner, Cop Land) and Ned Eisenberg (A Civil Action, Primary Colors).

There is an ambiguous ending in terms of the 'did they live happily ever after' question, but I like that type of ending when its done well. My big complaints about the film are what I think is a big plot hole in the first meeting scene with Van Loon and an unresolved issue of a murder possibly involving Eddie. I thought those two things kept the flick from being excellent, but maybe I'm just being picky.

 

Definitely worth the night out or the matinee. 

MEN OF HONOR (2000)

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dvdcovermenofhonor.jpg Directed by George Tillman, Jr. Starring: Robert DeNiro, Cuba Gooding, Jr., Charlize Thereon, Powers Boothe, Aunjanue Ellis, Hal Holbrook,David Keith, Michael Rapaport, Carl Lumbly, Lonette McKee. Drama/Biographical/Historical. Synopsis: The story of Carl Brashear, who enlisted in the Navy as a teen shortly after World War II and rose up through the ranks to become the first African-American Navy diver, Master Chief Diver, and also the first amputee to serve in that capacity.

Anytime you have a story that focuses on the true life triumph of the human spirit and shows the kind of determination that makes the impossible possible, you have a good chance for a good flick. Its not a given though, the film still has to be well acted and directed. Men Of Honor is well directed, and when you throw in a cast with multiple Oscar winners, past and future, the recipe for success is complete.

Cuba Gooding, Jr. (Wrong Turn At Tahoe)  plays Carl Brashear, Jr., a man who came from the fields of Kentucky, enlised in the Navy in the post WW-II years, and was determined to better himself in all ways through his time in the service. He had an indomitable spirit and never quit attitude, which he got from his parents (Lonette McKee Jungle Fever Carl Lumbly Pacific Heights The Alphabet Killer) in general and his father in particular.

As some may know, the Navy and its department (U.S. Marine Corps) were likely the most inhospitable branches of the service to African Americans in the post WWII, pre-Civil Rights era and that is portrayed vividly throughout this film, with one memorable scene being where Carl decides to jump in the Pacific for a swim on a day when only whites were allowed off the ship and into the ocean. Of course, he is pursued but swims so fast he beats everyone to the buoy. After landing in the brig, his speed in the water leads the ship's Captain (Powers Boothe Southern Comfort Sin City) to make him one of the ship's rescue swimmers an unprecedented position for an African American. Brashear quickly decides his ultimate goal in the Navy is to become a Navy diver after seeing the rescue heroics of one such Master Chief Diver, Leslie Sunday (Robert DeNiro Casino Limitless), an elite position that, at that point in time.

And, through the magic of creative license, when Brashear finally is accepted at diving school, guess who his class instructor is? Give yourself a pat on the back if you said Chief Sunday who is, lets just say, less than enthusiastic to have an African American diving student in his course.

Brashear's time in the diving school is the heart of the film, as Tillman does a good job of making clear the hurdles he faced, not only because of racism, but due to his severe lack of education. We do have some stereotypical characters, likely composite characters like Deniro's Chief Sunday, but that does not mean they aren't effective. Michael Rapaport (Grilled) plays Snowhill, the 'liberal' sailor who offsets the bigotry and prejudice Carl experiences in diving school by befriending Carl and being the only sailor to stay in the barracks when the rest are urged to move out by Sunday.

Also standing out in a smaller role is the legendary Hal Holbrook (Magnum Force) as 'Mr. Pappy', the outwardly bigoted and near senile Commander assigned to the diving school whose distaste for Carl remains steadfast even as those around Carl, including Sunday, begin to soften with appreciation of Carl's work ethic and courage.

Neither Brashear nor his chief protagonist, Sunday, are shown one dimensionally, they both have love interests, Carl has his future wife (Aunjanue Ellis Freedomland) and Sunday has a much younger wife, Charlize Thereon (North Country) who is both the enabler and possible hope for his drinking problems. Its not a huge role for Thereon, but she knocks it out of the park, as does Ellis, an actress whom I've long thought was an underappreciated talent.

The film follows Carl's career in the Navy, going directly from his trying time in diving school to his assignment as a diver on a ship in which he becomes a national hero by recovering a lost Russian explosive from the bottom of the sea, and then tragically suffers a serious injury to his leg shortly thereafter which seems to put the end to his diving career. But, Carl demands his leg be completely amputated so a prosthetic can be attached so that he might continue his career. The reluctance of the Navy and the reemergence of Sunday into Carl's life mark the second portion of the film. Its hard to be a Navy diver with two legs, to see Brashear do it with one is nothing less than inspiring.

As with any great film, there are several iconic scenes, the standouts for me being the bar room challenge between Brashear and Sunday to see who could hold his breath the longest, with the stakes being Carl's spot in the diving school versus the readmittance to diving school of Carl's buddy Snowhill (I read an interview with the real Carl Brashear in which he said the scene was true, except they did not use the water filled apparatus shown in the film, but merely dunked their heads into fish tanks); Carl's final test in diving school in which there were deliberate steps taken to ensure his failure and he remained underwater for twenty hours until his task was complete; and the stirring finale, when Brashear, with Sunday as his coach, demonstrates his physical prowess with his prosthetic leg before a high ranking Naval board.

The film follows 20 + years of Brashear's life and Gooding is believable both as the teen aged character and as a 40 year old navy veteran. With all due respect to his Oscar winning peformance in Jerry Maguire , to me this is his outstanding peformance to date. As for DeNiro, what can I say that hasn't been said? Incredible as Chief Sunday.

Understand this genre, though it shows both the ugly side and honor in our military, its not a military movie per se , but the story of an incredible man who happened to live his life in the service.

Great story, great acting, great film.        

CASINO (1995)

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Directed by Martin Scorsese Starring: Robert DeNiro, Sharon Stone, Joe Pesci, James Woods, Alan King, Kevin Pollack, Don Rickles, Dick Smothers. Drama/Mob/HistoricalSynopsis: Two lifelong friends rise to the top of the gambling/casino world of Las Vegas during its Mob controlled heyday in the '70s, then watch it all crumble as the Mob lost its stranglehold on the city. Based on the true stories of Lefty Rosenthal and Tommy Splitoro. 

I remember seeing this one when it first came out on the big screen back in the '90s, when I was anxious to see yet another pairing of the awesome Pesci/Deniro combo, but was convinced that it likely would not be as good as Good Fellas,   which had already cemented its legacy with me as one of the best movies I'd ever seen and my all time Mob movie. Imagine my surprise when Casino turned out to be every bit as good...though I still can't say it was better, but we're splitting hairs of greatness here.

Casino is essentially the tale of professional gambler Lefty Rosenthal, named Sam "Ace" Rothstein (Robert DeNiro Righteous Kill) in the film, and his rise to the top of the gambling empire in Las Vegas capped off by his selection to run the fictional Tangiers hotel. About this time, his long time friend and mob enforcer Tommy Splitoro, named Nicky Santoro (Joe Pesci My Cousin Vinny) moves out to Vegas and Nicky's hard hitting style and foray into the drug business marks the beginnng of the end for Mob controlled Las Vegas.

Now, this movie moves along at almost a frenetic pace but never feels rushed, which is due to the great characters and acting to some degree, but mostly to the genius of Scorsese and the visual story he paints for us. The film has the trademark running narration of the main character, but in Casino its broadened to to include not only Deniro, but Pesci as well and even Frank Vincent ( The Sopranos) for one brief scene. The effect of this is to give the feeling of watching events as they really happened, in addition to creating an almost second dialogue between the characters.

The life of the high rolling casino direector Rothstein is glamorous and those of you who are familiar with Vegas-even if like me you only know the current corporate feel as opposed to the old Vegas depicted in the film- will appreciate how well the film captured the feel and vibe of the city. If you're not familiar with Vegas, you will be seduced into its allure.

But, its not all glamour there, no was it ever, and the film shows us that at the same time that we see some truly iconic mob movie scenes, the kind of movie moments that live on, becoming familiar to even those who did not see the actual film. When writing about an iconic flick like this, I will assume most of you have already seen the film, but even if you have not, you've surely heard about the 'head in the vice' scene, one where Nicky and his top lieutenant, Frankie (Frank Vincent) have tortured a hitman from a rival crew but he still will not give up the names of his buddies.

What you've heard about this scene is true and, by the way, my research seems to confirm that this actually happened in real. Joe Pesci is unforgettable in this scene, telling the doomed man whose head is in the vice grips, "Don't make me do this, don't make me be a bad guy, please!" Classic stuff if you're into mob movies even a little bit.

DeNiro gets in on the unforgettable scenes list, too, with his opening scene of being blown up in his car and flying through the air to the opening titles (the real life Rosenthal really did survive a car bombing) and his step by step instruction of who is watching who in any casino.

Sam's love interest is Ginger (Sharon Stone Basic Instinct II), a former show girl who becomes Sam's girl and then his wife. His love for her is always there, but her's for him is, shall we say, inconclusive, as she remains attached to a former pimp of her's named Lester (James Woods The General's Daughter). I think Stone is really sizzling in this one, probably showing her range of acting more than any other flick she's been in, including the awesome Basic Instinct, since she is also sympathetic and vulnerable in this one.

Together, Stone and DeNiro really heat things up, and by that, you can really buy them being married...the animosity at times is that thick and realistic.

One other touch that I loved was putting notable figures from the '70s, like Don Rickles and Dick Smothers, in the flick, especially in serious roles apart from their comedic niche. It worked very well, so any of you who might think, how the hell does Don Rickles fit in a mob movie? Trust me, it works.

One thing most people will not talk about when discussing Casino is the cinematography and soundtrack-because the actors and story are so goo-but it has to be mentioned. Using "period music" is certainly not revolutionary for a period movie, but I don't think it could have been use better. Its not like they just took the #1 song from '79 and put it in the score when it was '79 in the flick, but the music used fit right in with the tempo, pace, and mood of the scene at that point in the film...if you weren't an old codger like me who remembers turntables and 45s, you might think these songs were scored specifically for Casino.

Negatives in this film? Not any that I can think of other than if someone isn't a fan of the mob/gangster genre...but such a fan would not likely want to see it anyway. Uhhh, let's see...there are a couple of gory scenes: the aforementioned head in the vice and the sight of two men being beaten by baseball bats and then buried alive might not be pleasant for all. Oh, I think I should mention something, the use of the "F word" is prodigious. We're talking hundreds of times, here, folks. So, depending on your sensibilities, be prepared.

Like I said, its hard for me to imagine any mob movie fan, DeNiro fan, Stone fan, or Pesci fan has not seen this one in the 14 years since it premiered, but there are new fans coming of age all the time so if you want to know what I think: one of the 3 best mob movies of all time.

No question.   
    

RIGHTEOUS KILL (2008)

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Directed by Jon Avnet. Starring Robert DeNiro, Al Pacino, Carla Gugino, Brian Dennehy, Donnie Wahlberg, John Leguziamo, Curtis Jackson, Trilby Glover. Drama Synopsis: Two veteran cops work on an investigation into a serial killer who targets known criminals. During the course of their investigation, it becomes evident that the killer might be a police officer.

Any flick with both DeNiro and Pacino has about a 99.9% chance of making into my faves list, no matter what. When you consider these two iconic actors are so close in age, its incredible that they haven't really done much together, and nothing to the extent they act together in Righteous Kill. So, that alone gets you pumped up, but there is more...this is a very good film.

I will tell you right out that there is a major twist at the end, which may surprise you because the story is told in retrospect, with the opening scene coming at the end of the story's timeline and the bulk of the movie showing us the events that lead up to it. I would like to be a little more detailed, but I'm very afraid of spoiling it for any unfortunate who has not seen the flick...frankly, I feel I have just by telling you there is a twist.

Our two protagonists are Turk (Robert DeNiro Godsend)  and Rooster (Al Pacino Scarface) two experienced NYC detectives who are long on experience on the street but short on patience with criminals, the beauracracy, and the system in general. They're assigned to investigate a potential serial killer who preys on known criminals. Most of the story is told in flashback style with regard to the murders, and we never see the killer though the film tells who he is in the beginning of the flick.

What is very interesting is the way the film quickly but convincingly presents a world through the eyes a cop that will help you empathize with how quickly and deeply bitter feelings can develop for those who are charged with arresting the guilty and protecting the innocent.  How far is too far to go in stopping a murderer or a rapist or a drug dealer?

And, who would know best just how bad these people are than the police who investigate their crimes up close and personal? I never said the story of the bitter cop(s) is anything new if film-far from it-but I don't think you will see it done much better than here, which you would expect when you have two of the best-if not the two best-living actors carrying a script that would be just fine with lesser protagonists.

Deniro is at his intense best, think of him as "Jimmy" in Good Fellas only on the right side of the law. Pacino recalls a very similar character from the movie Insomnia, only Rooster is much less tormented and, well, I'll just say it: funnier. As always, DeNiro and Pacino make their characters empathetic and good for a laugh no matter how heavy the material.

But, there is more. The supporting cast is comprised of actors who are often the lead role and are accomplished actors in their own right. Brian Dennehy (Assault on Precint 13) plays the stereotypical humorless police lieutenant, and frankly its like a role he is born to play. Carla Gugino (Sin City) plays a detective who is a frequent bedfellow of Turk and has a definite taste for the rough stuff. But, don't think her character is mere titillation or eye candy-though Ms.Gugino certainly more than fits that bill-but her relationship-I did not say 'romance'-with Turk gives some depth and insight to the character of Turk and their rough lovemaking is a key element in the twist at the end.

John Leguziamo (Carlito's Way) and Donnie Wahlberg Annapolis)  are a team of detectives who are also on the case and clashboth generationally and philosophically at times with Turk and Rooster. And, if that is enough, I have to tell you that Curtis Jackson (a/k/a "50 Cent") does very well in his role as Spider, a a high level drug dealer turned police informant.NO disrespect to Mr. Jackson, but when you look at this cast of main lead and supporting actors, you will likely ask yourself "O.k., what name doesn't fit wit the rest of this top shelf actors?" But, I'm telliing you, he does well and holds his own on screen with the legends. I do realize a lot of that might be that he doesn't have to "act" all that much in this particular role, but I assure you he is not the weak link...actually, there isn't a weak link in Righteous Kill which is why I'm telling you I think its a great film.
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