Directed by Martin Scorsese Starring: Robert DeNiro, Sharon Stone, Joe Pesci, James Woods, Alan King, Kevin Pollack, Don Rickles, Dick Smothers. Drama/Mob/HistoricalSynopsis: Two lifelong friends rise to the top of the gambling/casino world of Las Vegas during its Mob controlled heyday in the '70s, then watch it all crumble as the Mob lost its stranglehold on the city. Based on the true stories of Lefty Rosenthal and Tommy Splitoro. I remember seeing this one when it first came out on the big screen back in the '90s, when I was anxious to see yet another pairing of the awesome Pesci/Deniro combo, but was convinced that it likely would not be as good as
Good Fellas, which had already cemented its legacy with me as one of the best movies I'd ever seen and my all time Mob movie. Imagine my surprise when
Casino turned out to be every bit as good...though I still can't say it was better, but we're splitting hairs of greatness here.
Casino is essentially the tale of professional gambler Lefty Rosenthal, named Sam "Ace" Rothstein (Robert DeNiro
Righteous Kill) in the film, and his rise to the top of the gambling empire in Las Vegas capped off by his selection to run the fictional Tangiers hotel. About this time, his long time friend and mob enforcer Tommy Splitoro, named Nicky Santoro (Joe Pesci
My Cousin Vinny) moves out to Vegas and Nicky's hard hitting style and foray into the drug business marks the beginnng of the end for Mob controlled Las Vegas.
Now, this movie moves along at almost a frenetic pace but never feels rushed, which is due to the great characters and acting to some degree, but mostly to the genius of Scorsese and the visual story he paints for us. The film has the trademark running narration of the main character, but in Casino its broadened to to include not only Deniro, but Pesci as well and even Frank Vincent ( The Sopranos) for one brief scene. The effect of this is to give the feeling of watching events as they really happened, in addition to creating an almost second dialogue between the characters.
The life of the high rolling casino direector Rothstein is glamorous and those of you who are familiar with Vegas-even if like me you only know the current corporate feel as opposed to the old Vegas depicted in the film- will appreciate how well the film captured the feel and vibe of the city. If you're not familiar with Vegas, you will be seduced into its allure.
But, its not all glamour there, no was it ever, and the film shows us that at the same time that we see some truly iconic mob movie scenes, the kind of movie moments that live on, becoming familiar to even those who did not see the actual film. When writing about an iconic flick like this, I will assume most of you have already seen the film, but even if you have not, you've surely heard about the 'head in the vice' scene, one where Nicky and his top lieutenant, Frankie (Frank Vincent) have tortured a hitman from a rival crew but he still will not give up the names of his buddies.
What you've heard about this scene is true and, by the way, my research seems to confirm that this actually happened in real. Joe Pesci is unforgettable in this scene, telling the doomed man whose head is in the vice grips, "Don't make me do this, don't make me be a bad guy, please!" Classic stuff if you're into mob movies even a little bit.
DeNiro gets in on the unforgettable scenes list, too, with his opening scene of being blown up in his car and flying through the air to the opening titles (the real life Rosenthal really did survive a car bombing) and his step by step instruction of who is watching who in any casino.
Sam's love interest is Ginger (Sharon Stone
Basic Instinct II), a former show girl who becomes Sam's girl and then his wife. His love for her is always there, but her's for him is, shall we say, inconclusive, as she remains attached to a former pimp of her's named Lester (James Woods
The General's Daughter). I think Stone is really sizzling in this one, probably showing her range of acting more than any other flick she's been in, including the awesome
Basic Instinct, since she is also sympathetic and vulnerable in this one.
Together, Stone and DeNiro really heat things up, and by that, you can really buy them being married...the animosity at times is that thick and realistic.
One other touch that I loved was putting notable figures from the '70s, like Don Rickles and Dick Smothers, in the flick, especially in serious roles apart from their comedic niche. It worked very well, so any of you who might think, how the hell does Don Rickles fit in a mob movie? Trust me, it works.
One thing most people will not talk about when discussing Casino is the cinematography and soundtrack-because the actors and story are so goo-but it has to be mentioned. Using "period music" is certainly not revolutionary for a period movie, but I don't think it could have been use better. Its not like they just took the #1 song from '79 and put it in the score when it was '79 in the flick, but the music used fit right in with the tempo, pace, and mood of the scene at that point in the film...if you weren't an old codger like me who remembers turntables and 45s, you might think these songs were scored specifically for
Casino.
Negatives in this film? Not any that I can think of other than if someone isn't a fan of the mob/gangster genre...but such a fan would not likely want to see it anyway. Uhhh, let's see...there are a couple of gory scenes: the aforementioned head in the vice and the sight of two men being beaten by baseball bats and then buried alive might not be pleasant for all. Oh, I think I should mention something, the use of the "F word" is prodigious. We're talking
hundreds of times, here, folks. So, depending on your sensibilities, be prepared.
Like I said, its hard for me to imagine any mob movie fan, DeNiro fan, Stone fan, or Pesci fan has
not seen this one in the 14 years since it premiered, but there are new fans coming of age all the time so if you want to know what I think:
one of the 3 best mob movies of all time.
No question.